11

At the moment, I am exploring as many possibilities as I can learn for printmaking in the darkroom.  From the internegative used for 0011, I also contact printed that B&W internegative onto color paper in the darkroom.  The biggest challenge was the filter pack adjustments to reflect the palette of the original painting.  In the end, I tried with this B&W internegative as well as with a color one. Interestingly, it worked out best with this B&W negative.

This is my ideal.
This is my ideal.